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730 21st Street NW, Washington DC 20052

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Martik, known for his unmistakable makhmali (velvet) voice that evokes years of cherished memories, takes the stage for a powerful evening of music and remembrance. From the 1970s to today, Martik has written and crafted songs that have become deeply ingrained in the cultural landscape—and now, he’s reuniting these timeless melodies in one unforgettable show, complete with a stellar live performance sure to ignite feelings of nostalgia.

*GW Community Tickets are offered in-person only at the Lisner Auditorium box office to valid GWorld ID holders while supplies last. GW Community Tickets are discounted from regular price and limited in quantity and location. There is a 2 ticket limit per ID, any additional tickets may be purchased at full price.  All sales are final, no refunds or exchanges. Lisner Auditorium box office (730 21st St NW) is open during the Fall 2025 semester on Tuesdays from 11a-3p. Contact gwticket@gwu.edu with questions.

Martik, who began his professional musical career at the age of fifteen, has been at the forefront of the contemporary Iranian music scene for over 50 years and remains one of its most popular and beloved stars.

In addition to being a gifted guitarist and songwriter, he is blessed with a soulful voice marked by a unique tonality, tenderness, and velvety softness that mesmerizes his audience.

In the 1970s, he helped bring the best of classic rock and R&B to a thirsty and appreciative audience in Iran. He then expanded his repertoire, giving voice to the works of contemporary Iranian songwriters while also contributing his own original and haunting melodies.

Martik established his residence in Los Angeles in 1980, where he dedicated himself to perfecting his craft and growing his fanbase. He has since released nine acclaimed Persian albums and has captivated audiences of thousands around the world through his live performances.

Martik’s warm and charismatic personality serves as the perfect vehicle for his universal musical talent, transcending cultural and generational boundaries—few artists can claim a following that includes both five-year-olds and seventy-five-year-olds.

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