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VERSION:2.0
CALSCALE:GREGORIAN
PRODID:iCalendar-Ruby
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260114T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260114T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509384703
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260115T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260115T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509384704
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260116T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260116T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509385729
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260117T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260117T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509386754
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260121T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260121T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509387779
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260122T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260122T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509388804
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260123T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260123T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764463502605
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260124T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260124T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509389829
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260128T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260128T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764463506704
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260129T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260129T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764463507729
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260130T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260130T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764463508754
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260131T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260131T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509390854
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260304T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260304T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509391879
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260305T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260305T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509393928
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260306T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260306T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509394953
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260307T220000Z
DTSTAMP:20260308T165210Z
DTSTART:20260307T180000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509395978
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260311T210000Z
DTSTAMP:20260308T165210Z
DTSTART:20260311T170000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509397003
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260312T210000Z
DTSTAMP:20260308T165210Z
DTSTART:20260312T170000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509398028
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260313T210000Z
DTSTAMP:20260308T165210Z
DTSTART:20260313T170000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509399053
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260314T210000Z
DTSTAMP:20260308T165210Z
DTSTART:20260314T170000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509400078
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260318T210000Z
DTSTAMP:20260308T165210Z
DTSTART:20260318T170000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509401103
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260319T210000Z
DTSTAMP:20260308T165210Z
DTSTART:20260319T170000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509402128
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260320T210000Z
DTSTAMP:20260308T165210Z
DTSTART:20260320T170000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509403153
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
BEGIN:VEVENT
CATEGORIES:Arts & Culture,Exhibition
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, whos
 e portraits of mid-20th-century cultural icons reveal the tension between p
 ublic persona and private identity. Halsman (1906–1979)\, who arrived in th
 e United States in 1940 after fleeing antisemitic persecution\, revolutioni
 zed portrait photography through theatrical staging\, inventive choreograph
 y and bold experimentation.\n\nStructured around the themes of Comedy\, The
 atricality\, Femininity\, and the Mask Abstracted\, the exhibition examines
  how Halsman encouraged his subjects to participate in their own acts of ma
 sking — while simultaneously questioning whether photography can ever captu
 re an authentic self. The exhibition offers a compelling dialogue with the 
 Maria Callas costumes\, uniting photography and performance through ideas o
 f identity and presentation.\n\nImage: Philippe Halsman\, Allen Funt\, Durw
 ard Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver print\n\nGift of Law
 rence Benenson\, 1983 (P.83.18.165) © Philippe Halsman Estate 2025
DTEND:20260321T210000Z
DTSTAMP:20260308T165210Z
DTSTART:20260321T170000Z
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SEQUENCE:0
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
UID:tag:localist.com\,2008:EventInstance_51764509404178
URL:https://calendar.gwu.edu/event/portraying-the-mask-personas-in-philippe
 -halsmans-photography
END:VEVENT
END:VCALENDAR