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VERSION:2.0
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CALSCALE:GREGORIAN
X-WR-CALNAME:Portraying the Mask: Personas in Philippe Halsman’s Photogra
 phy
X-WR-TIMEZONE:Eastern Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509384703
DTSTART:20260114T180000Z
DTEND:20260114T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509384704
DTSTART:20260115T180000Z
DTEND:20260115T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509385729
DTSTART:20260116T180000Z
DTEND:20260116T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509386754
DTSTART:20260117T180000Z
DTEND:20260117T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509387779
DTSTART:20260121T180000Z
DTEND:20260121T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509388804
DTSTART:20260122T180000Z
DTEND:20260122T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764463502605
DTSTART:20260123T180000Z
DTEND:20260123T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509389829
DTSTART:20260124T180000Z
DTEND:20260124T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764463506704
DTSTART:20260128T180000Z
DTEND:20260128T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764463507729
DTSTART:20260129T180000Z
DTEND:20260129T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764463508754
DTSTART:20260130T180000Z
DTEND:20260130T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509390854
DTSTART:20260131T180000Z
DTEND:20260131T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509391879
DTSTART:20260304T180000Z
DTEND:20260304T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509393928
DTSTART:20260305T180000Z
DTEND:20260305T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509394953
DTSTART:20260306T180000Z
DTEND:20260306T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509395978
DTSTART:20260307T180000Z
DTEND:20260307T220000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509397003
DTSTART:20260311T170000Z
DTEND:20260311T210000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509398028
DTSTART:20260312T170000Z
DTEND:20260312T210000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509399053
DTSTART:20260313T170000Z
DTEND:20260313T210000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509400078
DTSTART:20260314T170000Z
DTEND:20260314T210000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509401103
DTSTART:20260318T170000Z
DTEND:20260318T210000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509402128
DTSTART:20260319T170000Z
DTEND:20260319T210000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509403153
DTSTART:20260320T170000Z
DTEND:20260320T210000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260812T054655Z
UID:tag:localist.com\,2008:EventInstance_51764509404178
DTSTART:20260321T170000Z
DTEND:20260321T210000Z
DESCRIPTION:Curated by Associate Professor Lisa Lipinski's History of Exhib
 itions class\, this exhibition explores the work of Philippe Halsman\, who
 se portraits of mid-20th-century cultural icons reveal the tension between
  public persona and private identity. Halsman (1906–1979)\, who arrived 
 in the United States in 1940 after fleeing antisemitic persecution\, revol
 utionized portrait photography through theatrical staging\, inventive chor
 eography and bold experimentation.\n\nStructured around the themes of Come
 dy\, Theatricality\, Femininity\, and the Mask Abstracted\, the exhibition
  examines how Halsman encouraged his subjects to participate in their own 
 acts of masking — while simultaneously questioning whether photography c
 an ever capture an authentic self. The exhibition offers a compelling dial
 ogue with the Maria Callas costumes\, uniting photography and performance 
 through ideas of identity and presentation.\n\nImage: Philippe Halsman\, A
 llen Funt\, Durward Kirby\, Marilyn Van Herbur\, 1960\, gelatin silver pri
 nt\n\nGift of Lawrence Benenson\, 1983 (P.83.18.165) © Philippe Halsman E
 state 2025
GEO:38.895809;-77.040024
LOCATION:Flagg Building\, Luther W. Brady Art Gallery
SUMMARY:Portraying the Mask: Personas in Philippe Halsman’s Photography
URL;VALUE=URI:https://calendar.gwu.edu/event/portraying-the-mask-personas-i
 n-philippe-halsmans-photography
CATEGORIES:Arts & Culture
CATEGORIES:Exhibition
END:VEVENT
END:VCALENDAR