Women’s Mobile Museum Documentary Film Screening + Panel Discussion with Shasta Bady, Danielle Morris, Andrea Walls, Tash Billington and Lori Waselchuk

Women’s Mobile Museum

“Who makes the art shown in museums and galleries?” “Who are these spaces for?” “Who is an artist?” These are the central questions behind the work of the Women’s Mobile Museum that drove the year-long collaboration between the Philadelphia Photo Arts Center and artists Afaq, Shasta Bady, Davelle Barnes, Tash Billington, Iris Maldonado, Danielle Morris, Shana-Adina Roberts, Carrie Anne Shimborski, Muffy Ashley Torres and Andrea Walls as well as South African artists Zanele Muholi and Lindeka Qampi. Each of the Philadelphia artists was selected through an in-depth application and interview process for a year-long funded opportunity to explore and develop new work. Collectively, the work of the Women’s Mobile Museum interrogates access to the arts and challenges who is educated by and represented in arts institutions. Compelling imagery asks us to question housing, urban social infrastructure, memory, racism and gaze in what it means to make a photographic portrait. You can see the artists’ work and interviews with artists, designers and curators in the Women’s Mobile Museum Magazine. We invite you to be in conversation with the artists of the Women’s Mobile Museum at this screening, followed by a virtual panel discussion.


Women’s Mobile Museum: Portraits of Visual Activism documentary is co-directed by Cindy Burstein and Anula Shetty.


This event is free and open to the public.


An RSVP link will be send to you closer to the event.




Shasta Bady, a born and raised Philadelphian, is an aspiring scientist, visual artist and sporadic papermaker. Through her art, she aims to celebrate the depth of our connectedness and commonalities. Her influences include Lyndsey Addario, Sebastiao Salgado and Malick Sidibe. She enjoys exploring the subtleties of light and color and staying available to visual spontaneity.


Danielle Morris is a self-taught photographer who mainly works in street and self portraiture. With a conceptual approach, Morris absorbs the tradition of remembrance art into daily practice. Her works are often about the contact between urban architecture and the living elements of feminism. Morris focuses on the idea of the feminine in “public space,” or more specifically, on spaces where anyone can do anything at any given moment. This includes the non-private space, the non-privately owned space and space that is expressed through proximity to her subjects and their otherness to her sense of femininity. Morris is an advanced photography instructor at the Philadelphia Photo Arts Center who received a curatorial internship at the Pennsylvania Academy of Fine Art and was a teaching artist in Drexel University’s Writers Room residency and a contributing artist in the 2018-19 Women’s Mobile Museum residency led by South African visual activist Zanele Muholi. She has exhibited in the Pennsylvania Academy of Fine Arts in the Works on Paper Gallery and the Colored Girls Museum’s 2019 “In Search of the Colored Girl” exhibition. Morris was also a contributing artist in the 2018 SPACES Residency "Home Court," led by visual artist Shawn Theodore. She has exhibited at the Barnes Foundation through “Let's Connect Philly,” where she placed in the top 20 of the participating artists. Commercially, she has worked with Apple, Bulgari, Louboutin, Roc Nation and Tiffany and Co.


Lori Waselchuk is a visual storyteller whose work is a simultaneous inquiry into the lived experiences and poetic bodies of humans and the systems they inhabit, contest and construct. Waselchuk creates novel forms of collaboration, drawing from many disciplines and resources, to create experiences that describe and convene community. Her work is exhibited internationally and is part of many collections, including the New Orleans Museum of Art, Portland Museum of Art and South African National Gallery. Waselchuk also curates and coordinates exhibitions and special projects that prioritize creative social engagement. Most notable is Grace Before Dying (2007-17), a collaborative photographic documentary about a hospice program in the Louisiana State Penitentiary. Most recently, Waselchuk developed and coordinated PPAC’s Women’s Mobile Museum (2018-20) with South African artist Zanele Muholi and ten Philadelphia women and femmes. Waselchuk is a recipient the following grants and awards: 2014 Leeway Foundation Transformation Award, 2012 Pew Fellowship for the Arts, 2010 Louisiana Endowment for the Humanities grant, 2009 Aaron Siskind Foundation’s Fellowship, 2008 Open Society Foundations Documentary Photography Project grant, 2007 PhotoNOLA Review Prize and the 2004 Southern African Gender and Media Award.